1.) HOME STUDIO … DETERMINE YOUR NEEDS 2.) PRY, BE NOSY, and GET THE INSIDE SCOOP … TALK TO PROFESSIONALS 3.) HOME
STUDIO and PRO TOOLS HELP ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ VOICE OVER TODAY – January 25, 2006 Helping Voice-Talent Build Careers. Published
by EDGE STUDIO SINCE: 1988 VOICE OVER
CAREER BUILDING PRODUCTION
STUDIO & CASTING 1.) HOME STUDIO … DETERMINE YOUR NEEDS Many voice talent don’t realize the importance of planning when it comes to their home-studio. Subsequently, they either spend more money and time than necessary, and/or find themselves unable to please their clients. This article
aims at eliminating these misfortunes. Answering the following will help you determine the type of home studio right for your needs, therefore helping you save money and time. - What sector of voice over is right for you? This should be based upon a.) the sector your voice and delivery are most marketable in (audiobook, documentary, cartoon, corporate, telephony, commercial, promo, etc.), b.) the sector you aspire to work in (you will read better, make more money, and be happier reading scripts that you enjoy), and c.) the type of customers in your marketing area (if cartoons are mostly recorded in NY and LA, perhaps this is not the best sector to pursue if you reside in the Central Plains). - Do the sectors of voice over you plan on pursuing only record in professional studios? If so, you may have no need for a home-studio. - Will you use your home-studio to practice, record auditions, or record actual jobs? Lower quality equipment is sufficient for the former, while higher quality equipment is necessary for the latter. - What is your budget? If you spend your entire budget on your home-studio, you will be left with no money for marketing. This defeats the purpose. - Is there a chance you will move? If you do, portable sound-booths and equipment will save you lots of money and time. - Will you rent your studio to other voice over artists (to use for practice, auditions, recording)? If so, be sure to build a home-studio that caters to many studio scenarios… not just the ones you plan on using it for. - Where will your home-studio be located? A noisy location requires higher quality sound-booths (to eliminate undesired sounds from entering). If your studio will be in a quiet location, spending that much money is unnecessary – in which case, either a lower quality sound-booth or renovating a closet may suffice. - What type
of delivery format will be requested by your customers? MP3, Fed-Ex, ISDN,
FTP, etc.? So take just one day. Call potential customers – specifically, the type of customer you aspire to market to. Ask why they hire voice over artists with home-studios, and what they request from them. Use this information to begin determining your home-studio requirements, specifically, what type of recordings you will produce, what quality level will be necessary, and with what means you will be delivering them to your customers.
Most new businesses begin with a business plan. You should too. Creating a business plan requires planning. Begin by searching on-line for a sample business plan. Yours does not need to be complicated – an abridged version should suffice. Once written, follow through with your business plan, including it’s time-lines, marketing efforts, and income statements. And finally,
whether part-time of full-time, take your voice over career seriously.
Put a minute of thought into it…and save ten. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ADVERTISEMENT Commercial Voices.com January Sale You are invited
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for all the exciting details. 2.) PRY,
BE NOSY, and GET THE INSIDE SCOOP … TALK TO PROFESSIONALS Anonymously
Ask, Pry, Be Nosy, Learn, Get The Inside Scoop, and GET ANSWERS and TIPS! biographies at: www.edgestudio.com/workshop-talk-with-a-pro.htm $35 each ADVERTISEMENT An essential
tool for those working in audiobook narration-the Audiobook To order
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check out the section on Voice Talent-and sign up for YOUR Want help with your home studio? Three types
of help follow. Feel welcome to call us weekdays 9-5 ET: * * * ‘DO VOICE OVERS FROM HOME’ SEMINAR Tele-Class and In-Studio $79 NEXT New
York Studio Seminar: February 1, 7pm-9pm ET This seminar
is made simple, yet is intense, detailed, and current. COURSE OUTLINE:
Unless you're
an experienced engineer, getting your studio to sound like a seasoned
one may be difficult. Want
us to help design, purchase, build, set up, teach, and save all parameters
of your Step By Step: Estimates:
READ THIS:
Our customized Pro-Tools training prices should be lower than the cost
of Private sessions
are offered via telephone, your studio, or our studio. Note: These
programs are strictly for Pro-Tools equipped studios. If you want other
software and/or equipment help, consider our Do Voice Overs From Home
Seminar and our In Home Studio Set-up. NYU-trained
screenwriter-director-producer needs accurate readers to read aloud, in
their natural voices and without affectation or character interpretation,
professional screenplays, such as "Good Will Hunting," "Erin
Brockovich," "The Shawshank Redemption," etc. Readings
are generally 2-3 hours. Purpose of reading is for writer-director-producers
to analyze the scripts for structure and other writing-related aspects.
No pay, but good practice accurately cold reading text and taking direction
from a writer-director-producer. Also a good introduction to screenwriting
technique.
We're always
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