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VOICE OVER TODAY January 8, 2008 This issue contains: 1.)
Edge Studio Presents: Audiobook Workshops! 2.) Upcoming Class Schedule for Edge Studio 3.)
A Quick Question, a Quick Answer, Can I Really Do This? Read
this issue and PAST ISSUES at:
New
York - 212-868-edge SINCE: 1988 MEMBER:
Better Business Bureau WHAT IS EDGE STUDIO? 1)
VOICE OVER CAREER BUILDING 2)
ACCLAIMED PRODUCTION FACILITY
AUDIOBOOKS
- ONE OF THE FASTEST GROWING SECTORS IN VOICE-OVER
1) An overview of the audiobook industry. How are audiobooks produced and recorded? How are narrators selected? How can a voice-over artist market themselves for this specific area? 2) Audiobook narration skills and techniques. Audiobook narration differs significantly from other types of voice-over work. Discuss the special skills, techniques, and demands of audiobook narrators, how to develop them, and how to create an effective demo aimed at audiobook producers and directors. Also discuss the specifics of the recording process and what to expect at a typical audiobook recording session. 3) Practice and evaluation. Would you make a good audiobook narrator? Some people have the knack, others have to develop their long-form narration skills. In this workshop, your potential will be evaluated, and steps recommend to make audiobook narration an effective part of your voice-over repertory.
This detailed, four hour workshop has three objectives: 1) Advanced Narration Technique: Creating character, maintaining consistency, interpreting copy, dialogue technique, as well as tips the renown narrators use. 2) Maintenance, Practice, and Furthering Your Career 3) Learn how to self-practice to retain and enhance your abilities.
Our
New York Studio is located at: To
register for these workshops, simply call our offices at:
Bruce Kitovich is well versed in every aspect of audiobook production. Starting out over twelve years ago at Talking Book Productions as a recording engineer and proofreader, he has since gone on to become involved in all stages of the production process. Bruce is often sought after to audition and cast talent, prepare scripts, and to record, edit and format in every genre of audio publishing. He’s overseen entire projects for such clients as Ericsson Cellular, Centers for Medicare and Medicaid Services, and Choice Magazine Listening. In addition to the hundreds of book titles he has produced for the National Library Service, he has had the pleasure of engineering and directing some of the best narrators in the industry for such major commercial publishers as Random House, Time Warner Audiobooks, Blackstone Audio, BBC Audiobooks America, The Teaching Company, and Scholastic Audio. He has also lent his talent as engineer to the highly acclaimed “Narration Arts Workshop” More recently, a title he directed for BBC, “The Power Broker” by Stephen Frey, won an Earphones Award from AudioFile magazine.
No
matter what your skill level is, dozens of workshops and seminars are JUST GETTING STARTED? Try
our Evaluation Placement Workshop, for a wealth of information on the NEED AUDITION EXPERIENCE? Our
Act-Up and Ringer Classes offer training and confidence building for a Don't
know what to do next? You need a Marketing Foundation class to learn INTERESTED IN AUDIOBOOK NARRATION? Gain
a wealth of experience in workshops which deal exclusively in this SCHEDULE THROUGH FEBRUARY 2008
*Intensive
Foundation Technique Evaluation Workshop: $159 *Marketing
Foundation: $79 *Intensive
Foundation Technique Evaluation Workshop: $159 *Marketing
Foundation: $79
*The
Ringer Workshop: $35 *The
Ringer Workshop: $35 ______________NEW
YORK CITY STUDIO________________ *Intensive
Foundation Technique Evaluation Workshop: $159 *ACT-UP
Workshop: "Doubles" $35 *The
Ringer Workshop: $35 *Intensive
Foundation Technique Evaluation Workshop: $159 *Intensive
Foundation Technique Evaluation Workshop: $159 *
Audiobook Intensive Workshop: $99 *Audiobook
Advanced Workshop: $99 *ACT-UP
Workshop: "Silent Warm-Ups" $35 *The
Ringer Workshop: $35 *Intensive
Foundation Technique Evaluation Workshop: $159
*Intensive
Foundation Technique Evaluation Workshop: $159 *Intensive
Foundation Technique Evaluation Workshop: $159
Is
your voice in front of the directors and producers who cast audiobooks? Multiple voice demos; agent info; accent & language skills; voice & age range; audiobook credits and more. List
in AudioFile’s Audiobook Reference Guide. Just $125 includes AudioFile
professional subscription. ==================================
I get this question all the time from voiceover students, and sometimes from pros who’ve been working—on and off—for years. Actually, I ask myself this question fairly often. Most often, a student wants to hear that his or her read is so stunningly good—his or her voice so powerful and compelling—that the world is about to come flocking to the door with wads of hundred dollar bills fluttering in offer. Regrettably that happens for very few of us. Voiceover work is a service industry. Just as a restaurant may have good food but slow or discourteous service, a talented voice actor can shoot his career in the foot with bad habits, an unpleasant manner, or an overdeveloped ego. I know some folks that are only moderately talented who work a lot…and some very talented people that don’t work much at all. To
work you need to market yourself, show up on time, make the recording
session smooth and pain free for the client and producer, and—if
at all possible—make it fun for everybody. Oh, and one other “P” word. In a gentle, non-intrusive way, you need to be persistent. Do follow up calls, cards, letters, emails at sensible intervals. Do marketing that comes naturally to you—be yourself above all things—but be yourself marketing! I have heard of guys doing things that I thought were bizarre if not embarrassing…from bringing black cereal to every gig as a gift, to flooding the studios they worked in with promotional pens, pads, and nifty gizmos. After a while, people came to expect it, and it became sort of cool. While a lot of the rest of us sat around saying, “I couldn’t do anything cheesey like that,” those guys were working. It was a double whammy. The more work they got, the more studios they showed up in and left promotional pens and pads behind to keep their name up front. Persistence makes perfect. Almost everybody contacts a potential client once. Very few follow up a second time. Those who touch base in an interesting, pleasant way every few months are few and far between. Those are the successful marketers.
ADVERTISEMENT VOICEOVER ARTISTS WITH ABILITY TO RECORD MP3 OR WAV FILES WANTED TO READ ALOUD SCREENPLAYS NYU-trained screenwriter-director seeks voiceover artists with the ability to record MP3 (preferred) or wav files. Read aloud the best professional screenplays--The Shawshank Redemption, The Color Purple, Brokeback Mountain, etc.--as well as my own screenplays, so that I may listen to your recordings as I read and analyze the screenplays. No pay, but good practice for Books-on-Tape and other voiceover work. For
phone audition, please email bob@bobslaymaker.net with "Reader"
in subject. (P.S. If you have a computer--laptop or desktop--you can buy
an inexpensive microphone from Radio Shack and obtain freeware (Audacity)
from the internet to record
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