The Talkback

September 16, 2011

by edgeadmin

When looking for a pre-amp to record, there are several questions you need to ask yourself. What functionality do I need? What kind of sound am I after? How much change do I have to pilfer to get this thing? Pre-amps are the magical and mysterious link in the chain often overlooked by those first exploring recording, and often over obsessed by studio veterans. Lets talk about one of the ones we have at Edge Studio: The Avalon 737sp.

As far as tone, here at the studio, we're aiming for squeaky clean. The Avalon is an unlikely choice, because it is tube based, and tubes are often associated with sweet sweet distortion. But in this case, its more of an "old school hi fi" tube approach, than a Marshall stack. Its very clean. It minimally alters the sound, leaving the signal as uncolored as possible (with the option to color it if necessary with added functionality as we'll get into now).

Functionality. Often, a pre amp is more than a pre amp. Sometimes its called a “channel strip” meaning it can do a few things in one, like a printer that also faxes, or a horse that is also a microwave. This here thingy accomplishes 3 tasks. First and foremost It is a pre amp - powering and amplifying the signal from a microphone. Second, it has a compressor. This reduces dynamic range - basically lowering the louds and making the quiets louder - to even out the signal. It’s main function while recording is to prevent peaks going to the hard drive. Finally, it is also an EQ. EQ boosts and cuts frequency levels, to make things sound “equal” or can also be used for effects. We tend to lean towards the former. This is rarely used while tracking, except if someone has a very boomy voice (we cut some lows) or is incredibly sibilant (we cut some highs).

Read the rest of Ode to the Avalon - Why We Love Ours!.. . .

August 17, 2011

by SteveWeiss

As resident studio staffer who has some instruments, I jumped at the task. I did time in some bands that had horn players, how hard could it be? It’s no Blink 182 let me tell you that! In the afternoon we were sent the clip of the track they needed re-created. I rushed home to my Chinatown abode, and on the way stopped at the newly opened Cafe Grumpy, my lower east side espresso haven, to mentally prepare. The track was on loop on the iPod and I was in fight mode. Lets go through it together, shall we? http://www.youtube.com/watch?v=ajsYPTaboKQ

Now listen to that. There appears to be approximately 41 people, pretty much just groovin. The tempo shifts a bit, the vocals are amazing, the bass is jumping all over the place doing some counter melodic harmonic junction extracting expressive science™ all while the guitar is doing some jazzy chord voicing, and the horns are accenting it like it’s Spanish punctuation up in here! Just breathe for a second.....Whew! Ok we’re back!

Read the rest of Love Machine: The Epic Art of the Backing Track.. . .

August 11, 2011

by KristenThorne

Welcome, one and all, to The Talkback, Edge Studio’s super duper awesome and informative Production Blog!

Each week, we’ll feature insider tips and tricks of the trade, musings on everything and anything audio, and spotlight fun projects (or challenging ones) that we’ve had the pleasure of working on. You’ll also get a sneak peek into the pleasantries and personalities that make our producer’s the best in the biz! (They’re all super cool and fun to work with.) There may also be some lots of photos of cats. (Our Production Manager, Kristen, has 5 of them. We think she’s secretly training a feline militia out in New Jersey.)

Have a fun audio experience to share? Was Steve’s 40th U2 reference totally uncalled for? We invite you to “Talkback” too! Leave a message in our comments section below each post. We can’t wait to “hear” what you have to say. After all, listening is what we do best!

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