Voice Over Education Blog

July 2017

Do your voice-overs benefit from your full vocal range?

"Great! Now, read it another way."

Whether or not you've ever heard that from a Director (and you won't always), it's a good direction to give yourself. Because there's more than one way to read almost any VO copy, and there's more than one vocal approach you can use. Which means ...

... there's more than one way to land a job.

Before you start recording, shake yourself up. In fact, you could do that literally – shake your body all over for a few seconds. It helps loosen you up, both physically and mentally.

But you can shake up your "usual" read in many more significant ways than that. Here are some that will help shake up your voicing options.

Who's your character? In an acting framework, this question is often combined with "Who are you talking to?" and "Where are you" and other such situational images. But ultimately, they all come down to "Who are you?" Even if you're narrating, or doing phone prompts, you are voicing a character of sorts. For example, your "character" might be the customer of a department store (the client), or the store's marketing director. Or as a narrator, you might think of yourself as a scientist, or a businessperson, or a teacher. Even as a phone prompt, you might feel like a retail greeter, or the company's owner. They may all sound like you. But each thinks and maybe behaves a bit differently.

Over the course of your career, one of your core characters is "you." Clients come to know your "go-to" voice and personality (or persona); for most talent, it's probably their most saleable voice. But in developing that voice, hopefully you will have given it all the resources at your disposal.

Which leads to another "shake-up" question ...

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