Voice Over Education Blog

Welcome to the Voice Over Blog

Welcome to the blog designed for anyone investigating, starting, and building their voice over career.

Here you'll find practical articles written to help you skip the "trial and error" often associated with pursuing and building a career, and instead gain a candid look into the voice over industry, where the work is, why some people get it, why some don't, and tips and techniques to help you reach your goals.

Remember that your voice, interests, and potential are unique. For this reason, our articles provide multiple ideas and scenarios so that you can make the right decision for your career.

Feel welcome to share any experiences and comments by posting them below each post. We're always glad to listen to you. After all, listening is what we do best!

Edge Studio's CEO Goes Bananas at the Holidays

A message from our Founder and CEO, David Goldberg


Season’s Greetings from Edge Studio!

The holiday season is a terrific time to show gratitude to our amazing voiceover community, and to express how thankful we are for being a part of it.

For me, the most amazing part of this community is the diverse groups of people who make all this happen: from voice actors, copywriters, casting agents, producers, and directors to all the production coordinators, corporate clients, and admin teams. Of course a special shout out goes to my own admin team here at Edge.

During the holiday week, we stop casting, producing, and coaching, and instead focus on friends, family, and having a fun-filled holiday season. In that spirit, I wanted to share one of my personal favorite holiday memories, one where my holiday spirit got a little too carried away.

Once upon a time, security officers kicked me out of a veeery busy shopping mall wearing a Santa suit.  Well, a Gorilla suit adorned with a Santa suit and beard.

Let me explain.

My friend Jason and I each owned a head-to-toe, Disney-style Gorilla suit. We wore them in parades, for birthday-grams, as stadium mascots, and so on.  Then, we got full head-to-toe Santa suits. So we put them together (imagine a real gorilla dressed as Santa), bought a ton of candy canes, headed to the mall, and ran around handing out candy. We were hits! People stood in lines for pictures with us (possibly longer than the line for the regular mall Santa)! Until security came into the picture…

Oh, the Audacity!

Oh the Audacity! How dare you be such a capable audio recording software program and still cost nothing! You’re free! There must be a catch...


There are dozens of DAW (Digital Audio Workstation) software programs out there on the market today. All of them are worth every penny. Audacity has the same value and functionality of most of the programs out there, and it’s absolutely free.  When it’s time to choose an audio program for recording voice over it’s a no brainer. I recommend this program to every one of my students because it’s free, it’s easy to use, and it works for everything they will need to record and send out auditions.  Audacity has the same core functions as all the others like record, edit, EQ, compress, export as mp3 etc., plus a lot more that you may or may not use in your regular VO recordings.

So, what does all this mean?

As voice actors our lives consist of interpreting the scripts we receive, recording the performance and sending out the edited recording with all intentions of winning that audition. Yes, I simplified this but for a reason: The key component to the above statement is RECORD, EDIT, & EXPORT. Our focus should be on our performance, not worrying about being an engineer while doing it. It’s important that we quickly master the skills of recording, editing out unwanted audio, skillfully add/adjust the equalization if needed (low cut filter, High pass filter etc.), and send off a quality recorded performance. Audacity allows us to do this with ease. Look at it this way… using Audacity for recording your VO is like me using MS Word to write this article; simple intuitive functions like cut, copy, paste, delete, save.

An Introduction to the Art of Audiobook Narration Or: This Ain’t Easy

So, you want to be an audiobook narrator?
In the voice-over world, few genres make greater demands of your time or your talent.  On the plus side, few genres are growing at such an explosive rate. Audiobook narration is and remains a great place for new voices to find work. As the industry has grown, actors, authors and publishers have continually joined forces to create innovations in production, quality and opportunity.

There can be no question that opportunities abound for the gifted actor willing to make the effort. This is due to three factors:

Don't have a Commercial Demo? We can help!

Don’t have a Commercial demo? Whatever VO genre you specialize in, you probably should.

Commercials offers a wide range of opportunity. In comparison, if you want to work in, say, video games, there are only so many producers to pitch. But commercials are widely produced, in many forms – with clients ranging from local radio/TV stations and cable providers, to ad agencies of all sorts and sizes, marketing departments and individual retailers. Plus, the vast majority of commercials are voiced by regular VO professionals, as opposed to celebrities.

When you do land one, it can be very lucrative through ongoing residuals, repeat projects, or both. And who wouldn’t like to to be heard by friends and clients on a national spot, getting paid well, to boot?

Almost no other genre spans such a wide range of topics, styles, and types of scripts. Even if you don’t specialize in commercials, your demo portfolio will greatly benefit by showcasing your ability to do them.  

Your first priority should be an effective delivery. It is important for clients to know that you understand their goal is selling. Your ability to understand the mission suggests that you have a businesslike attitude. That’s valued by producers in every genre.

10 Tips for a Successful Home Audition

Tips for successfully auditioning from home.

These days, you usually submit a recording, rather than visit the client. So no worries about the mechanics of signing in and how to behave at a commercial studio that your client sends you to.  More than ever, winning the audition depends on your ability to self-direct. But there are still other ways to boost your chances.  Are you doing all these things right?


Don't sound like everyone else.

This is easier than it might seem, but requires study, thought, practice and maybe some coaching to explore the many ways you can make your read distinctive, yet still "you" and on-target.

Don't read too fast.

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